Joe Hurds ‘Wish list’ for a perfect Christmas…

 

christmas listJoe Hurds Christmas Wish List:

I can remember the last Christmas list I wrote. I was probably about 10 and ambitiously penned the demands on Christmas Eve before popping it into the fire place with all that magical innocence, and faithful expectancy children invest into heating vessels this time of the year.

Of course, I was quietly disappointed the next morning when the Captain America outfit, figurine and VHS failed to manifest themselves under the tree. To some degree, it was my own little acid test of the season, a challenge to Babbo Natale, Sintaklasse or Dun Che Lao Ren to see if he really did last minute wishes.

Clearly he didn’t. It would of been 1996, he probably was too busy delivering Bill Clinton a Nintendo 64 or fetching matching Buzz Lightyear playsuits for Liam and Noel.

To save myself the abject pain of being left out in the cold, or probably “mild” these days, Im vesting the ever reliable Delitalia with the task of making my Christmas complete, all I can suggest is that you do the same.

1. Sicilian red prawns. The moment some oil rich Sheikh or former Russian peasant who bought a discount aluminium mine from Yeltsin back in 1989, realises the taste, texture and appearance of these coral translucent crustacea blast caviar out the water, you will be looking at them through thick glass display cabinets in Piccadilly. The king of the sea and the king of your Christmas Eve Vigilia. Best eaten raw with a little lemon, salt and Eleusi Oil. Otherwise, chopped very fine and added to the back end of a simple risotto with Acquerello Rice.
2. Marramiero Novello: After you ploughed your way through a mire of Barolo’s, Tiganello, Nero di Troia, Maglioco’s and all the other heavyweights slumped in the red corner of the wine ring, your body might thank you for the light, fruity Christmas overtones of a Novello. Chill it down, fetch yourself a straw and some left over panettone and wile Christmas afternoon away drifting in and out of consciousness while watching The Spy Who Loved Me for the trillionth time.
3. Berlucchi Franciacorta: Prosecco has become the Fergie of sparkling wine royalty; tart, tired and tawdry. Be THAT person this Christmas who when asked if they would like another glass of bubbling, acid death exclaims “I only drink Franciacorta these days!” Followed by a snorty little laugh.
4. Domenic the Donkey: I genuinely cannot think of a Christmas where this classic Louie Prima song has not trotted out the speakers of my record player. The harbinger of the yule and essential for ersatz Xmas morale. You don’t have to stop at there thought, mix up your antipasto plate with a few slices of salame d’asino and watch the mother-in-law balk
5. Tropea Onions: If you are struggling for gift ideas for anyone originating south of Napoli, watch their faces light up on Christmas morning when you present them with one of these regal little purple onions wrapped up in a bow
6. Torpedino tomatoes: Christmas wouldn’t be Christmas if you didn’t gorge on your favourite food. Do as I do at least one day over the holidays, defy convention, pass on the mince pies and quality streets to sneak off and make a plate of pasta pomodoro. There is only one tomato to use for this and thats Marianos Torpedinos, with a handful of basil, a little salt and good olive oil.
7. Maletti 1867 Truffle Mortadella: The thought of another slice of dry, saline rich danish pig cooked until its sharper than obsidian makes me want to spend Christmas with the Taliban while revising for a French oral exam. Swap your salty swine for a big pink bouncy Mortadella speckled with the best truffles of the autumn and enrich your life.
8. San Vincenzo Nduja. Not only is it red, which makes it incredibly festive, its also pure fat. This is essential for anyone living in the UK as temperatures in January and February can sometimes get below 5 degrees and a few inches of blubber will be vital to stave out the cold as you walk between your favourite bars in the new year.
9. Menabrea: Push those watery Peroni’s aside on the communal drinks table this New Years eve and get stuck into a bottle with bite.
10. Callipo Buzzonaglia: They call everyday, ordinary tuna “The Chicken of The Sea” so by my reckoning this fatty pastiche of belly meat, light and dark flakes held together under a film of oil is the “truffle pate stuffed Guinea Foul of the sea” Blow peoples minds by offering them this rich, umami tuna flesh on a piece of carasau, or added on a torpedino base pizza, hot out the oven with some slivers of tropea onion.

 

Novello – San Martino ogni mosto diventa vino…

novello, marramiero,

No light falls on the flagstone outside the little trattoria, or osteria, or restaurant or whatever the owner is currently referring to it as this week. The usually damp-flannel grey of the pavement, idly tanned by a rusty, brassy toffee-like attempt at lighting, tonight is powdered in the autumnal night’s lapis blue. The only light breaking this dark concrete sea up comes from the ubiquitous North London neon of The Gunners Fish Bar causing the slab, fringed with powder puff pink, to resemble the made up eye of a drag queen.

It’s cold, the coldest night at the end of the longest year. The first real night of Autumn; piles of rotting mulch in the street are being joyfully kicked in their rotting sides by buckled up Start Rites and Peppa Pig wellies. Piles of rotting pomegranates spritzed with the eau de London’s street smog in the plastic bowls of the Turkish corner-shop and piles of cold and flu germs awaking on every hand grip hand rails that London transport calls its own.

In the distance a firework erupts with the force of popping candy, the forlorn hope of bonfire night. Despite its damp popfffff, it’s still enough to send the contents of a rushed, russet cheeked mothers pram into a state of toddling apoplexy.

The great windows, designed to concertina open in the occasionally warmer months of summer, have been concertinaed closed tight in the darker, frequently colder Autumn months. Condensation has slaked its way across the vast paines of glass making the restaurant interior as oblique as a fat man painted battleship grey, holding a smoke machine in a sauna.

I’m hesitant to open the door. By now the restaurant is usually more active than legions of Mo Farrah clones engaging in endless marathons around Piccadilly Circus at rush hour. Yet the place is quieter than a mute librarian’s grave. Something is wrong.

I push the door open catching the thick, thistle rough doormat. Across the waist high plateau of blue and red gingham checked tables, illuminated by clusters of contrite little tea lights with enough energy to light a Borrower’s keyhole, I see the boss pushing oily vapour trails of blue smoke up into the rafters of a faux thatched roof at the back of the room. His usual partner in pre-match crime is sat there too, bereft of the usual insults which emanate in thick southern Italian dialect out of his thick southern Italian lips.

A biblically beaming, alien abduction limelight chinks out the kitchen through the smoke, followed by the occasional muffled clunk of metal on metal. A slow “Calunk” signalling one hand is being used to fidget one of the old aluminium pans on top of the stove while the other stabs away at an old battered iPhone placing last minute bets on a Ladbrookes app.san martino

It’s lugubrious tonight. The usual blop, blop blopping of bubbling lamb ragu, the rustling tenements of carasau bread stacked in handmade wicker baskets and the howls of the owner for more crates of Ichnusa have been temporarily lobotomized.

Unusual for a place that lives, breathes and dies to the ever present hortator of screams, cursing, cheers, cries and shouts that inhabits all restaurants save vegan cafeterias and church hall canteens. No one moves, no one stirs.

The boss invites me to sit with him and partake of the ever present supper of free wine. There is a bottle in the middle of the table, white label with the orange, reds and ocre of the season slashed into the paper bearing the meaningless word, NOVELLO.

Marcello…MARCELLO

The table is gloomy and the cartoon moorish features of my nightly drinking companions are all but hidden from me. The candle does enough only to light their chins into stubbled promontories where the glass containing the ruby clear wine can occasionally be seen to pass above. Everything is being done slowly, almost conspiratorial. Speech is unusually laconic and, aside from the cocktail of candle and illicit cigarette smoke, a comfortable sense of nothingness lingers in the air.

The chef hasn’t solely been idling his time away at the controls of the betting app of his future poverty. He tips a pan of squealing hot chestnuts hotter than Hephaestus forge and, groaning out their crackling shells, onto a wooden board in the centre of table.

Hard calloused hands, numbed by anticipation, easily crush through the scalding brittle outer layer of the charred shell before the outside edge of the thumb scarifies the husk away onto the red and white debris field, now peppered with erratics of burnt shell. In most cases, even under such force, the chestnut remains whole; a light, toxic yellow cerebrum which we push into sea salt. This outer saline coating crunches and opens up the tastebuds to the pastoral sweetness of the flowery interior of the fruit, as fragile and crumbling as fresh yeast.

They are toasted, burnt, some hard, some soft. In the worst cases precision in the peel is exchanged for clumsy haste and the result is a chestnut sea mine of nutty pulp and sharp fragmented shell. This can engage with the throat in a similar way as barbed wire plays across fiddle strings.

The Novello strikes me. For a red, it’s cool and curranty, familiar of late summer homemade wine. The kind of thing Ratty from Wind in The Willows would have made and bottled for the Tombola at one of Toad’s ghastly Spring Fairs. It’s pleasant and clean. I feel it should be drunk out a pewter tankard and come with a hangover free guarantee for the next day. It’s refreshing, which is what I always want in a wine as wine really must be “neckable”. I appreciate that the chattering classes may like to linger over one or two thimbles of wine, savouring and tasting the ethereal merits of an amber pinot Beaujolais Margeaux 1066 or whatever. I’m not sure this wine suits that scene? Foods basic role is to fill and liquid is to refresh. I could drink this all night until it pours out my ears.

For a moment, I realise that the usual chaotic state of our little Italian restaurant has been becalmed by the wine. This is a moment they have all waited for throughout the year, the first young wine taken cold at three weeks old, alongside a new crop of chestnuts all hot, spiky, caramel and woodland fires. It’s the closest an Italian might get to that horribly cosy word “Hygge”, that insufferable Danish law of fluffy socks, open fires, candle light and enforced ennui. Barely a word has passed and this 20 minute moment has been savoured for a lifetime in every nip of the wine and broken shell.

This is “La Bella Vita” transformed, reinvented and soothed for the darker cold months and it’s what every Italian restaurant from Galashiels to Gloucester should be demanding their customers momentarily engage with from October to the end of November. The parasols and passageta are over, ask for Novello, fire, chestnut and Marlborough Lights.

The door swings open and my accomplices brace themselves for the teeth of a London draft. It’s a family, a family walk in at 17:55; buggies, babies, leaves stuck to the sole of a child’s shoe via the sticky medium of dog toffee. It’s everything the boss would turf out into the street on a normal night. If the Holy Trinity turned up in a simillar state, donkey of course subbed for a Silver Cross, I imagine they would receive the blunt end of a Sardinian curse. But strangely not tonight. The Novello and chestnut has calmed the savage beast and very shortly he is there, attending to their table with bowls of chestnuts and slightly chilled, complimentary Novello. I imagine they will be back, and come next Autumn, so will the wine.

Motor City and Mort… followed by Picci

Italian Americans are responsible for all manner of minor, cross-cultural disgraces; Spaghetti and meatballs, chicken parmigaaan and most of the cast of Jersey Shore. However their early experiences in the new world and its seemingly never ending supply of meats, cheese, sweets and booze, left a few hybrid diaspora dishes that could never have happened in the relative poverty of the old country

A couple of years ago I was asked to come up with a dish for BBC Children in Need’s Carfest Festival. It was, I assumed, a simple enough brief; two recipes to fit a 45 minute slot, that was until my PA told me they were looking for some kind of car/automobile twist. Now I like cars; I like how you can wedge yourself firmly into the passengers seat off a Golf and catch a good hours kip, the little illuminated horse that appears on the pavement when you open the door of a mustang, or how a Fiat Punto retains its street cred even when its spent a lifetime taking more of a battering than a sub average boxer. I am not the kind of person however who knows what “Torque” is and always lament the fact that there are no horses actually involved in horsepower. If you show me a top of the range Ferrari, Im most likely to compliment the choice of magic tree.  I had to turn to history to find the perfect dish.

I began with Enzo Ferrari as the man was from Emilia-Romagna and to date, I haven’t met a single sole from the region, who didn’t have anything short of a Paolo and Francesca style love affair for food. Alas, it seemed he lived of Prosciutto and torta fritta whilst he wiled away the hours in his workshop tinkering with carburettors and exhaust pipes . As much as I find the idea of frying square after square of enriched bread dough in hot pig fat about as joyful as waking up to find that my metabolism has  advanced to the pace of a teenage race horse, I didn’t think it would make for much of a show.

In vain I scoured the internet, googling F1 drivers and their favourite foods despite my knowledge of the sport probably being classed as “Junior Scaletrix Level” It turned out that a lot of the icons of the 1970s lived off a heady mixture of booze, late nights and the occasional hit of narcotics, whereas today’s drivers followed a diet similar to that of a Scandinavian racing sardine. Eventually I hit upon the idea of the people who actually build the cars..

Italian car workers were every employers dream in Detroit during the 1920’s. They worked hard, caused little fuss and instead of high wages, safe working environments and discounts on Ford Model T’s, all they demanded was a little macaroni and meat for lunch. Mortadella, that wonderful cylindrical Roman invention of Peppa-pig pink meat, lipid white islands of belly fat and acrid bursts of black pepper corns was cheap to produce and cheap to supply, so became the natural choice to accompany the lunchtime macaroni.

This dish is a simple plate of hand made Pici pasta, a little butter, thyme, finely chopped mortadella, pecorino and a little honey to cut through this thick, fatty mantle that coats the fresh pasta. Pici may seem like a weird choice for the sauce as the mortadella has very little chance of getting a firm hold onto the dough, but the rather nice thing is that each strand is coated in a delicate emulsion of butter infused with the earthy mortadella and accompanying flavours.  What you are left with at the end is a satisfying little pile of buttery meat that slaps you round the face for a slice of bread to make an ad hoc mortadella roley.

Good Appetite

Serves 2.

For the dead simple pasta part:

150g 00 flour, we love to use Molino Quaglia

150g fine semola (optional, but will give your pasta more bite) again Molino Quaglia

180g egg yolk (save the whites for meringues or Rocky style gym fuel)

 

 

For the sauce/emulsion

20 Pistachio, shelled and crushed as fine as you can be bothered (30 to make up for the 10 you will invariably eat)

2 Sprigs of fresh thyme

1 Tablespoon of honey

30g good breadcrumbs (avoid the day glow fish finger kind)

10g of butter, use burro di bufala

Half and onion

Evoo, Eleusi is great and its from Calabria

1/3rd of a block of pecorino cheese (or any hard Italian cheese)

 

 

Method

  • Today we are making PICCI. Think relatively long, slightly fat/thin mis-shapen spaghetti you do by hand. It rocks. Start by combining the flour and semolina in a bowl, make a well in the centre and add the egg yolks. Use a fork and bring the flour into the egg and mix well. If the mix is too dry add a tiny bit of water just until it comes together.

YOU WANT TO MAKE A DOUGH SIMILAR IN LOOK AND FEEL TO PLAYDOUGH

  • Once this is done, form into a nice square or round and dust with flour. Cling film and leave in the fridge for minimum half an hour.
  • When the dough is rested, tear grape sized balls off (keep the dough covered) and roll onto a clean surface (if you dust them or your hands in more flour, it wont work) You want to create long, knobbly worms (think like a long spaghetti Nick-Nack)
  • Once all the dough is done, let these dry a little while you do the sauce
  • Very finely mince the onion and sweat it in the butter and olive oil until translucent. add half the leaves of the thyme and half the thinly sliced/fine chopped mortadella and cook on a low heat.
  • Bring water to the boil in a sauce pan, remember to salt the water well, and add your pasta for 5-6 minutes.
  • Remove the pasta and pop straight into the pan, retaining one cup of that pasta water elixir.
  • Keep the pasta moving, add half the pistachio and grate as much cheese as you fancy, add some of the pasta water to form a sauce and a little black pepper.
  • Using a fork, twist the picci into a tight ball and place in a bowl, finish with more fresh mortadella, thyme, pistachio and the breadcrumbs, drizzle of olive oil,
  • Now you are done.

 

Burro di Bufala

bufalaIt started with a satisfying itch in the centre of my chest during a meal of pork more bereft of moisture than a saharan salt cod factory. Overnight, I assumed that this little red blob the exact shape of Sardinia was nothing more than a heat rash probably triggered by my body’s complete shock and awe that the UK, in 2018, had managed to climb into the near sub equatorial figures of 11 degrees in the hours of darkness. I started to worry more on the train; I was tired, itching was coursing across my upper torso and my shoulder felt like it had been used for tackling practice by Millwall FC. My landlady, a reputable woman with the medical knowledge of a village witch-doctor and the hypochondria of an Italian mamma knew immediately I was a mass of shingles and low morale.

On the rare occasions I get ill I fall back on my undergraduate degree, medieval medicine and food. I become my own experiment, a playground for quack cures, remedies and gastronomic philtres.  My body and brain go into lockdown, all form of external advice be it from professionals, concerned family and love ones shunned, pills rejected and cool compresses cast asunder for there is only one way to combat most non-fatal illnesses; Pasta with butter

Infirmity is my excuse to bring out a dish that modern memory stresses was created just for this specific medicinal purpose. Wind the clock back a few decades to Rome in the early 20th century and let me tell you a brief story about a dish that is, usually, held to be more blasphemous than if Martin Luther had nailed his proclamation to the door of Wittenberg cathedral written on loo roll featuring playboy centrefolds dressed up like the Madonna. Alfredo De Lello was a larger than life Roman restaurateur famous amongst the great and good of Roman tourists during the economic miracle of the late 50’s and 60’s.  He was famed for combining silky emulsions of Caccio Peppe, Greacia and Amatriciana at the tables of holIdaying Hollywood stars, before suspending the perfectly coated tentacles of spaghetti, bucatini and fettuccine above their heads. Cute. He was also famed for inventing the abboration that became known as Fettuccine Alfredo…

So your heart has sunk into your stomach at the mere mention of a dish that most think is about as Italian as Gino’s accent and has been subject to more tampering with by Americans than the Middle East, but the story is relatively touching.  Following the birth of his first son in 1914 De Lello, in an attempt to stimulate his wife’s post birth waning appetite ventured away from the customary placenta on toast, instead mixing triple rich butter with the core of his best Parmigiano before tossing into fresh tagliatelle. It was effectively the early 20th century’s answer to a post-natal bottle of Lucozade, Muller corner and tin of soup, a cure all. Legend claims that the dish remained on the menu, eventually becoming the darling dish of the 1920’s vacationing Hollywood heartthrobs. Much like European civilisation during the 17th and 18th century, it was taken back to America and fiddled with until its appearance became something akin to a Frankenstein-like melange of various ingredients, the worst of which range from chicken to lobster.

De Lello wasn’t the first Italian however to employ butter in their pasta; Early classical cooks and writers applauded its use with Pliny describing it as “the most delicate of food amongst barbarous nations”.  Throughout vast tracts (some 900 plus recipes) of Artusi, olive oil is constantly sidelined for butter in the North, lardo and lardo’s slightly less salubrious relative, strutto in the pig owning South. Boccaccio in his Decameron makes numerous references to pasta rolled down mountains of butter and cheese and, likewise, try and get through a recipe by Corrado, Scappi and Spatuzzi, even the vegetarian ones, without finding mention of some form of animal fat leap frogging over olive oil.

I need to say straight off the bat that for me, olive oil, stands on a stratosphere scratching pedestal in the world of ingredients. If a simple old cow’s loin is befitting a knighthood in the UK, then the golden blood of the olive warrants beatification.  The slight problem I have with olive oil however, is British television chefs peddling you some kind of Keynsian myth that this is the sole cooking fat in use across the Italian peninsular.  By steering you clear of the artery clogging joys of butter, lardo and strutto they may be doing the NHS and your loved ones a service, but your pallet..Nah-ah.

Elizabeth David prophetically observed in 1963 “How we cling to our myths, We English” and she’s totally right.  The myth of ancient societies like those of the Italian peninsular solely using olive oil is ludicrous but you can’t seem to suggest otherwise to a vast majority of British chefs and the public. I remember fondly being asked for a simple ragu recipe by a bunch of online culinary dilettantes masquerading as chefs, to be included on their website. After viewing their recipe for bolognese, a recipe that, short of Garibaldi’s death mask, included every single thing that seemed remotely Italian, I sent them a recipe for “Sugo Finto”. This is one of my favourites and confirmed as a staple of the 1950s national service boys by Antonio Carluccio: Take a heap of strutto (soft pigs lard) melt it in a pan and sauté some onions, add tomatoes and finish with a little unsalted butter, mix with pasta. The result is some kind of magical oleaginous kingdom on your plate that tastes like a post war dream. Their response was one of abject shock, how could it be Italian without olive oil? Dried oregano that had lingered in the cupboard since freshers week? The ubiquitous clove after clove of green rooted garlic? And the greatest crime of all, butter and lard. I was hounded out their email chain and never consulted on again, my reputation in tatters and culinary flag lowered into the cesspit of my own ignorance. How could it dare to masquerade as an Italian with butter in, it goes against all they have learnt about Italian food from Saturday morning television and the menu at Frankie and Benny’s.

I’ve recently started using a lot of buffalo milk butter from Italy; it’s a bright marble white pat with the depth and richness of lard and that mouth insulating warmth that usually proceeds the magic of streaky bacon, belly pork or an overly buttered crumpet. It’s perfect for tossing with some fresh pasta, a little pinch of salt, a really fatty slab of mortadella chopped fine and a sprinkle of pecorino. I have also started throwing in a knob with some finely chopped onions and letting them sweat before drowning it all in torpedino tomatoes and letting it cook on a low heat slowly, before tossing it through with some rigatoni and pecorino. It might not be the classic Pasta Pomodoro, but I’m sure it can be added to the legion of recipes that over the years, have built up around that particular dish and its variants.

Seven weeks after shingles entered my life, they are still here, all be it transformed from a collection of angry, little red islands snaking a ring around my body to something more like the faded outposts of a once mighty empire.  I can’t honestly say whether or not the butter and pasta helped in anyway. I suspect, like Mrs De Lello it kept my spirits up between dabbing myself with calamine lotion and futilely blowing on my chest, but I think that’s all any food can do, in health or in infirmity? It should be there buck your mood, stimulate the appetite and at least slip you a mental placebo that what you are ingesting may be going some way to kill a virus. Here’s to animal fats and Italian food, may the two be united for another millennia.

Cavatelli ‘a mano’ with Molino Quaglia

molino quaglia, petra, eggs, cavatelli and all that summer veg..

I have to hand it to myself, I am really rather cool. I realised this the night I spent counting all the times Pellegrino Artusi included butter in a recipe. I realised that I was at a Fonzie (US Cult TV character, not Nik Nak imposter) level of coolness when I got to 924 and decided I couldn’t risk being any cooler and should probably turn in for the night. Its not just Artusi who favours the use of butter, or indeed its slightly more delicious outlawed cousin, lard; The cruiserweight names of Italian food doyens such as Vincenzo Corrado, Bartolomeo Scappi, Marcella Hazan, Achille Spatuzzi, are just a lipid sized sample of old fashioned animal fat champions. Ask nonno and nonna what they used for fat before the “Economic Miracle” of the 50’s and 60’s when shelves were flooded with olive oil? Unless they were in a mass olive producing region of the old country, they were most likely using lard or butter for their food and oil for the lamps and occasional bribe.

This recipe, I think, came to me in the throws of a drunken dream. After a brutal night in a restaurant that once upon a time lurked round the back of Liverpool Street station, I clutched at the memory of eating tagliarini with tiny cubes of carrot, broad beans, mint, and zucchini and finished with a hint of pecorino. it was delicious, fresh, clean and sweet and my cousin (who was with me at the time) swore we didn’t eat it or anything that resembled this jumble of spring veg and carbs. The next morning I checked the menu to absolutely no avail, and knowing the chef and his lack of creativity, I assumed I had concocted the whole dish out of the stupor of 13 or 14 grappas.

 

Ingredients:
Serves 2

70g Buffalo Milk Butter
Splash of dry white wine
15g Fave beans (shelled)
15g Carrot
15g Zucchini
15g purple potato
Fresh mint
20g Pecorino cheese
Splash of good balsamic (I mean really good, if you don’t have good balsamic just acidulate with a little more white wine)

Cavatelli

200g Petra Pasta Flour
10 egg yolks
Dash of water

Method:

1. Make the pasta by mixing the pasta flour with the egg yolks. I try and use the Burford Brown egg yolks to give the pasta a wonderful golden colour. You can also buy Italian eggs which have a rich yolk… If you need too, add a little water to bring the dough together into a smooth paste, similar to play-dough. Rest for 30 minutes minimum in the fridge
2. Form the cavatelli. Cut the dough in half, or quarters (Whatever you are comfortable working with) and roll out to the thickness of about half an inch. Cut into strips and then centimetre squares. Push down on the pasta dough with your thumb then forward to make something like a mini cannoli.
3. Bring a pan of salted water to the boil.
4. Finely chop all your veggies. I cut them into matchstick sized pieces and then into tiny little cubes that some Gallophiles would call “Brunoise”, I think the Italians would say “Cubettini”
5. Blanch the veggies in the boiling water for 30/40 seconds and remove into ice cold water to stop the cooking process. Keep the water.
6. Place some fo the buffalo butter in a frying pan and gently heat. Place the Cavatelli into the boiling water and cook for 3/4 minutes and then add to the butter in the frying pan.
7. Add the blanched vegetables, a handful of freshly chopped mint, a tiny splash of white wine and a good amount of pecorino. Cook out until a rich emulsion forms and finish with a little more butter
8. Serve with a little more mint and pecorino, your heart may not thank you but your mood will be through the roof.

 

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